신윤복(申潤福)의 풍속화(風俗畵)에 나타난 조선시대 미용문화(美容文化) 연구

• 영문명: A study on ChoSun Period beauty art culture that appear to Sinyunbok"s genre picture
• 발행기관: 한국인체미용예술학회
• 저자명: 공차숙(Kong Cha Sook) 김희숙(Kim Hee Sook)
• 간행물 정보: 『한국인체미용예술학회지』한국인체예술학회지 제6권 제2호, 21~38쪽, 전체 18쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2005.06.01

영문 초록

  Beauty art culture with dress and its ornaments culture have developed in various image in age and country satisfying instinctive appetite of human. Hair style thought upper story seriously and a make-up sheep have been important who serve aesthetic desire sufficiency time that is done in overhead that human"s divine poet is converged most.
  Also, hair and make-up are meaning of the wealth, sensuous, acted by sorcerous meaning, means of social position indication.
  Genre picture has meaning called picture that draw wind velocity vector of human"s civil life, daily life. Hyewon Sinyunbok"s genre picture is displaying well dress and its ornaments and two exaltation of then manners and woman, a make-up sheep among our country relationship genre picture.
  Sinyunbok"s genre picture that center ChoSun end 18～19C contains man and woman, culture that represent the age in terms of is reappearing daily life as is sincere without inquiring social position at that time.
  Hereupon, this study wishes to be that investigate beauty art cultural characteristic and symbolism of beauty art that appear to genre picture and examine symbol of attendance culture, make-up culture, washing of the hair culture and wealth and status, sensuous meaning.

목차

ABSTRACT
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 미용의 문화적 특징
Ⅳ. 미용의 상징적 의미
Ⅴ. 결론
참고문헌