영화에 나타난 메이크업 스타일에 관한 연구 - 「티파니에서 아침을」ㆍ「에비타」ㆍ「추억」을 중심으로

• 영문명: A Study on the Make-up Style in Cinema -Focused on 「Breakfast at Tiffany"s」ㆍ「Evita」ㆍ「The Way we were」-
• 발행기관: 한국인체미용예술학회
• 저자명: 이혜성(Lee Hye-Sung)
• 간행물 정보: 『한국인체미용예술학회지』한국인체예술학회지 제6권 제2호, 61~77쪽, 전체 17쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2005.06.01

영문 초록

  To identify woman"s make-up in the films of Europe and America in the 1940s, three movies set in the social and cultural background in those days were analyzed.
  As a result, there was the change of the make-up types and the color patterns properly altered by the situation in those days.
  The skin color preferred in the 1940s was mainly Yellow Red, especially Light Yellow Red(10 YRP). The color of the cheek touch was the soft color like Yellow Red(2.5YR7/10). It matched with the skin color, and showed the outline expression of the face effectively.
  In the eye make-up, the shape of the eyebrow was expressed darkly with Dark Grayish Yellow(5YR3/2) applied to the arched shape of the eyebrow peak. That displayed the strong, manly image.
  In the eye shadow, Bright Yellow Red(7.5YR8/6) was painted on the whole eyelid and expressed the color that hamonized with and kept the balance of the skin color.
  Finally, in the lip make-up the straight curve lip, the original lip size was preferred. Light Yellow Red(5YR5/16) was applied to it. It looked like an active and splendid appearance.
  If the change of these patterns and the colors that the make-up in the 1940s showed is compared with that in the present, the types of the eyebrow and the lip were changed a lot. Owing to this woman"s whole image was unisex.
  To find the characteristic and the change of the make-up, the move was used and studied systematically and concretely in the research.
  The patterns and the colors changed by the social and cultural causes in those days were analyzed. This research can be a basic material to use in the practical exercise to revive the make-up of each age in the department related to beauty and cosmetic.

목차

ABSTRACT
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 결과 및 논의
Ⅳ. 결론
참고문헌