- 영문명
- Family Curse as a Theatric Motif in Curse of the Starving Class
- 발행기관
- 한국영미어문학회
- 저자명
- 홍은숙(Eun-Sook Hong)
- 간행물 정보
- 『영미어문학』영미어문학 제84호, 103~121쪽, 전체 19쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2007.09.30
5,080원
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이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
This study shows that the family curse in Greek mythology could be a theatric motif in contemporary American drama under the postmodernist condition which features the deconstruction of basic values like a family. Considering curse myths, human nature seen on Oedipus the King and Oresteia, and the tradition of American family drama, dysfunctional families in Shepard"s family dramas could have theatric means in the mythic context like a family curse. All the theatric actions in Curse of the Starving Class are connected with curse myths and an eagle-tomcat-lamb fable.
Unlike the will of the Delphic oracle which insists on understanding its own human condition, the Tates would escape from the farmhouse and family inheritance throughout the play. They also try to deconstruct gender identity through the rejection of the phallus and menstruation, and the change of gender roles. The family curse of the Tates links up with financial capitalism and speculators in real estate. Castration, menstruation, circumcision, and sacrifice which symbolize the Erinyes"s blood, and some objects like a refrigerator and a table contribute to the realization of a family curse.
Curse myths reflect a guilt-culture in western civilization. Hubris, the primal evil carries fear of sin. And a curse resulted from symbolic evils plants guilt feelings in human nature. The recognition of the primal evil provides the Tates with an opportunity for renewal. This study for Curse of the Starving Class by a family curse focuses on the theatric pursuit for human nature as well as the theatric performance of an inherited curse.
Unlike the will of the Delphic oracle which insists on understanding its own human condition, the Tates would escape from the farmhouse and family inheritance throughout the play. They also try to deconstruct gender identity through the rejection of the phallus and menstruation, and the change of gender roles. The family curse of the Tates links up with financial capitalism and speculators in real estate. Castration, menstruation, circumcision, and sacrifice which symbolize the Erinyes"s blood, and some objects like a refrigerator and a table contribute to the realization of a family curse.
Curse myths reflect a guilt-culture in western civilization. Hubris, the primal evil carries fear of sin. And a curse resulted from symbolic evils plants guilt feelings in human nature. The recognition of the primal evil provides the Tates with an opportunity for renewal. This study for Curse of the Starving Class by a family curse focuses on the theatric pursuit for human nature as well as the theatric performance of an inherited curse.
목차
Ⅰ. 서론: 가족극과 가족저주
Ⅱ. 저주의 보편 내재성: 운명의 회피, 직면, 전승
Ⅲ. 결론: 신화와 삶의 재통합
인용문헌
Abstract
Ⅱ. 저주의 보편 내재성: 운명의 회피, 직면, 전승
Ⅲ. 결론: 신화와 삶의 재통합
인용문헌
Abstract
키워드
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