구로사와 아키라의 후반기 영화 스타일 고찰

• 영문명: Cinematic Style of the late Kurosawa Akira
• 발행기관: 한국영상제작기술학회
• 저자명: 김종국
• 간행물 정보: 『영상기술연구』제25호, 91~105쪽, 전체 15쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2016.12.31

국문 초록

This study is analysis of the later films Kurosawa in old age produced, (1985), (1990), (1991) and (1993). In these films there are the common features such as a looseness of the narrative, a artificial and excessive colors, long take without close-ups, jump cuts, and a contrapuntal sound experiments. While the style of post-war films from (1954) to (1980) was the dynamics of the audio-visual based on the great epic, the late films of Kurosawa adopted the auteurism form. These films have been blamed for the same reason that they openly reveals Japanese militarism and nationalism. As a result, its stylistic features have also been ignored. Nevertheless, in his late films there were the stylistic experiments reflected on film media. Secondly, while his post-war films have confirmed the ability of the director as a filmmaker, the late works have showed the artistic and experimental attitude as a auteur.

목차

Ⅰ. 서론

Ⅱ. 구로사와 감독 vs. 작가

Ⅲ. 구로사와 영화의 양식과 주제의식

Ⅳ. 구로사와의 후반기 영화: <난>, <꿈>, <8월의 광시곡>, <마다다오>

Ⅴ. 결론

참고 문헌

키워드

Akira Kurosawa Cinematic Style Auteurism Audio-Visual Style