한중합작영화현장의 제작 시스템과 노동조건 분석－촬영감독의 예를 중심으로－

• 영문명: A Study on the Difference of the Production System and Working Condition through the Joint-Korea-China Film－With focusing on cinematographer－
• 발행기관: 한국영상제작기술학회
• 저자명: 류재훈
• 간행물 정보: 『영상기술연구』제26호, 29~45쪽, 전체 17쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2017.06.30

국문 초록

As the Chinese movie market has exploded in recent years, examples of Korean-Chinese joint films are gradually increasing. However, most of the studies are thought to be in the view of the macro view that analyzed the flow of Korean – Chinese joint films from the huge industrial perspective of the movie industry in both countries. While there is no room for rethinking the significance of such an industrial perspective, it is also necessary to look at the flow of the Korean-Chinese joint film from a practical point of view and look at the working conditions and the situation of the staff working at the actual site. This study examines the situation of Korean cinematographers working in Chinese cinema in order to look at the film of both countries from a practical point of view when these Korean film staffs faced the actual working circumstance in the Chinese film making. Therefore, the purpose of this study is to examine the difference of the production system of the staffs of two countries, the labor conditions, and the contract specificities through experience of several staffs who worked in the recent joint film between Korea and China. It also examines the effects of the conflict between South Korea and China over the recent THAAD placement issue in South Korea, and discusses future prospects.

목차

Ⅰ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고 문헌

키워드

Korean-Chinese Film Labor Condition Contract Specificities THAAD Restriction to Korean Wave