历史叙事音乐剧中的性别符号解析——基于《木兰诗篇》的文化探究

• 영문명: Analysis of Gender Symbols in Historical Narrative Musicals:Cultural Exploration Based on The Mulan Poems
• 발행기관: YIXIN 출판사
• 저자명: Haitao Yu Tingting Ren
• 간행물 정보: 『Journal of musicological studies』Vol.2 No.3, 35~49쪽, 전체 15쪽
• 주제분류: 사회과학 > 교육학
• 파일형태: PDF
• 발행일자: 2025.09.30

국문 초록

Musical, as an art form originated from the West, gradually came into the Chinese view since the 1980s. Due to its relatively short development time in China, its progress has mainly been influenced by factors such as cultural differences, political environment and audience acceptance. Chinese original musicals have emerged on the basis of national operas. Over the years, many classic national operas have emerged in China, such as “The White-Haired Girl”, “Jiang Jie”, “The Red Detachment of Women”, and “Liu Hulan”, most of which take heroic deeds as the core creative material and promote the spirit of justice by shaping female heroic figures. Based on the cultural interpretation of the large-scale scene symphony musical “The Mulan Poems”, this article deeply analyzes the character shaping and female image traits of Mulan in the play. In a male-dominated social structure, Mulan subverts the traditional concept of “men being superior to women” and substantially challenges people’s stereotypical perception of gender symbols. This article studies the shaping of female characters in Chinese historical musicals from three aspects: the formation of female roles in Chinese and Western cultures, the creative reasons for “The Mulan Poems”, and the artistic characteristics of the Mulan character image. It focuses on analyzing the rich and three-dimensional artistic traits of the historical figure Mulan and elaborately interprets her artistic presentation from the dimensions of vocal performance and dramatic performance. The legendary life of Mulan endows contemporary women with the spiritual core of independence and autonomy, allowing Western audiences to deeply appreciate the artistic value of Chinese civilization that spans five thousand years when enjoying Chinese art works.

영문 초록

“音乐剧”作为源于西方的艺术形式，自20 世纪80 年代起渐入中国视野。因在中国发展时间较短，其发展进程主要受文化差异、政治环境及受众接受度等因素影响。中国原创音乐剧兴起于民族歌剧的基础之上，多年来，我国民族歌剧涌现诸多经典，如《白毛女》《刘胡兰》《红色娘子军》《江姐》等，多以英雄事迹作为核心创作素材，通过塑造女性英雄人物弘扬正义精神。本文基于对大型情景交响音乐剧《木兰诗篇》的文化解读，深入剖析剧中花木兰角色塑造与女性形象特质。在男性主导的社会架构中，花木兰颠覆了“男尊女卑”的传统观念，实质性地挑战了人们对于性别符号的刻板认知。本文以中西方文化中女性角色的形成、《木兰诗篇》的创作缘由、花木兰人物形象的艺术特性，三个方面研究中国历史音乐剧中的女性角色塑造。着重剖析花木兰这一历史角色丰富立体的艺术特质，并从声乐演唱与戏剧表演两个维度，详细解读其艺术呈现。花木兰的传奇人生赋予当代女性独立自主的精神内核，使西方观众在欣赏中国艺术作品时，深入领悟中国五千年文明的艺术价值。

목차

Ⅰ. 引言

Ⅱ. 中西方文化中女性角色的生成

Ⅲ.《木兰诗篇》的诞生缘由

Ⅳ.《木兰诗篇》中花木兰人物形象的艺术特色

Ⅴ. 结语

参考文献

키워드

Female character Musical Hua Mulan Artistic features The Mulan Poems 女性角色 音乐剧 花木兰 艺术特征 《木兰诗篇》