Cross-Cultural Practice and Innovation in Saxophone Art: An Academic Examination Centered on “Fuzzy Bird Sonata” and “Silk Road Fantasy Suite”

• 발행기관: 아시아사회과학학회
• 저자명: Yitun Zhou
• 간행물 정보: 『Journal of Asia Art Research』Vol.1 No.1, 55~61쪽, 전체 7쪽
• 주제분류: 사회과학 > 사회과학일반
• 파일형태: PDF
• 발행일자: 2025.03.31

국문 초록

Since its invention in 1840 by Belgian instrument maker Adolphe Sax, the saxophone’s development has profoundly reflected the evolution of musical history and shifting public aesthetics. Initially praised by composer Hector Berlioz as “the most human of instruments” for its blend of woodwind agility and brass projection, the saxophone arrived late to classical music and initially gained prominence in military bands. By the late 19th century, experimental uses in Debussy’s “Rhapsody” and Ravel’s “Pictures at an Exhibition” opened Impressionist explorations of ethereal timbres. The 20th century saw the saxophone’s transformative rise through jazz, shifting public taste from classical formalism to emotional catharsis, its improvisational allure dominating bars and dance halls for new generations. From the mid-20th century onward, classical music has faced declining audiences and an aging listener base, with younger generations encountering canonical works only through fragmented digital media. Traditional music urgently requires creative modernization while preserving cultural essence, giving rise to Third Stream music. American composer Gunther Schuller’s “classical-jazz dialogue” theory, Takashi Yoshimatsu’s “Fuzzy Bird Sonata” (fusing Japanese Miyakobushi scales with Western sonata form), and Zhao Jiping’s “Silk Road Fantasy Suite” (combining Kucha dance rhythms with modern composition techniques) demonstrate the maturation of cross-cultural musical syntax. History proves the saxophone’s vitality lies in adapting to epochal demands—from military bands to jazz iconography, now serving as a cross-cultural medium. Confronting digital civilization’s challenges, only by synthesizing traditional musical syntax (e.g., Chinese opera’s “banyan” rhythms, guqin “yin-nao” techniques) with contemporary innovations—via short videos, metaverse concerts—can serious music retain its emotional depth amid technological upheaval, becoming a cultural vector for heritage preservation and global dialogue.

목차

Ⅰ. Historical Evolution, Innovative Breakthroughs and Cultural Transmutation of “Fuzzy Bird Sonata”

Ⅱ. Nobuya Sugawa’s Performance Practice and Integration Paths of Chinese Elements

Ⅲ. “Liangzhou Music”: Eastern Practice of Cross-Civilizational Musical Integration

Ⅳ. Summary and Future Prospects: The Path of Inheritance and Innovation for Traditional Music

References

키워드

Saxophone Fuzzy Bird Sonata Silk Road Fantasy Suite Takashi Yoshimatsu Zhao Jiping Third Stream Music East-West Synthesis