巴洛克时期的组曲探赜

• 영문명: An Introduction to Suite in the Baroque Period
• 발행기관: YIXIN 출판사
• 저자명: He Xuan
• 간행물 정보: 『Journal of musicological studies』Vol.2 No.1, 46~55쪽, 전체 10쪽
• 주제분류: 사회과학 > 교육학
• 파일형태: PDF
• 발행일자: 2025.03.31

국문 초록

As one of the most representative instrumental music genres in Europe from the 17th to the 18th century, the suite in the Baroque period is not only the pivot of the evolution of musical forms, but also the mirror image of social and cultural interactions. This paper takes the historical background of the Baroque period as a research point, and discusses the development process and characteristics of the Baroque period suite. The study points out that the standardised dance sequence of the suite (Allemande, Courante, Sarabande, Gigue) is not only an innovation in musical structure, but also maps the court culture of the Baroque period, while the paper introduces the suite of Bach, the most representative composer of the Baroque period, in order to further understand the influence of the suite on the Western musical instruments.

영문 초록

巴洛克时期的组曲作为17 至18 世纪欧洲最具代表性的器乐体裁之一，既是音乐形式演变的枢纽，亦是社会文化交融的镜像。本文以巴洛克时期历史背景为研究点，浅谈巴洛克时期组曲的发展过程及特点。研究指出：组曲的标准化舞曲序列（阿勒曼德、库朗特、萨拉班德、吉格）不仅是音乐结构的创新，更映射了巴洛克时期宫廷文化，同时论文通过介绍巴洛克时期最具代表性的作曲家“巴赫”的组曲，进一步了解组曲对于西洋乐器产生了怎样的影响。

목차

Ⅰ. 引言

Ⅱ. 巴洛克音乐概述

Ⅲ. 巴洛克时期的组曲

Ⅳ. 巴赫

Ⅴ. 结论

키워드

Suite Baroque Bach组曲 巴洛克 巴赫