J. S.巴赫教会康塔塔的创作：历史、特点与演出实况

• 영문명: The Composition of J. S. Bach’s Church Cantatas: History, Characteristics, and Performance Practice
• 발행기관: YIXIN 출판사
• 저자명: Zhao Feiyang
• 간행물 정보: 『Journal of musicological studies』Vol.2 No.1, 39~45쪽, 전체 7쪽
• 주제분류: 사회과학 > 교육학
• 파일형태: PDF
• 발행일자: 2025.03.31

국문 초록

This study examines J. S. Bach’s church cantatas, offering a comprehensive exploration of their historical origins, compositional stages, and stylistic characteristics. It analyzes the stylistic evolution of Bach’s cantatas across different creative periods, with a particular focus on movement structure, textual features, and instrumental arrangement. Additionally, the study highlights Bach’s use of imitative techniques, assessing their compositional practice and artistic significance.By situating Bach’s cantata compositions within the socio-religious context of the Baroque era, this research also investigates aspects such as church choir performance practices, and performance venues. Furthermore, by comparing the listening habits of Bach’s contemporaries with those of modern audiences, the study sheds light on historical perceptions of the cantata’s functional role and the distinctive atmosphere of church performances in Bach’s time.Through a multidimensional analysis of Bach’s church cantatas, this paper seeks to deepen the understanding of their artistic and historical significance while providing new perspectives and insights for further musicological research.

영문 초록

本文以J. S.巴赫的教会康塔塔为研究对象，全面探讨其历史溯源、创作阶段及创作特点，分析其在不同创作时期的风格演变，包括乐章配置、歌词特点及器乐编制的变化，同时揭示其模仿技法的创作实践及艺术价值。研究还结合巴洛克时期的社会与宗教背景，探讨圣歌队编制、演出实际情况及演出场所。同时，通过对比巴赫时代与现代听众的音乐聆听习惯，揭示当时人们对康塔塔的功能性认知及教会演出氛围的差异。本文旨在通过全面梳理巴赫教会康塔塔的多重维度，深化对其艺术价值与历史意义的理解，同时为音乐学领域的相关研究提供新的视角和借鉴。

목차

Ⅰ. 巴赫之前的康塔塔

Ⅱ. 巴赫的康塔塔创作阶段

Ⅲ. 创作风格及特点

Ⅳ. 实际演出状况

Ⅴ. 结语

키워드

J. S. Bach Church Cantata Baroque Imitative Techniques J. S.巴赫 教会康塔塔 巴洛克 模仿手法