- 영문명
- The Conflict of Symbolism and the Theory of the Mask in Yeats's Early Poetry
- 발행기관
- 한국예이츠학회
- 저자명
- 이도경(Do-Kyung Lee)
- 간행물 정보
- 『한국 예이츠 저널』35권, 55~93쪽, 전체 39쪽
- 주제분류
- 인문학 > 언어학
- 파일형태
- 발행일자
- 2011.06.30
                
                
                    7,480원
                
               
                
                
                    
                    
                        
                        
                        
                            
                        
                    
                
                
                    
            
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        국문 초록
This study is an attempt to analyze Yeats’s early poetry in the light of his theory of the mask. For this purpose the writer of the present study has first proposed to define the ‘mask’ to investigate the theory and has reached the conclusion that the ‘mask’ is a Yeatsian term for an ideal image of life which is always opposite to the natural self or the natural world, and the theory of the mask has three aspects−aesthetic, moral, and philosophical−according to the role of the mask. The aesthetic meaning of the theory demonstrates Yeats’s argument on the nature, the source, and the touchstone of a work of art: art is the embodiment of the writer’s mask of life and his inner struggle between mask and life sets him to his creative work; the quality of a work depends upon the expression of this tragic war. And all the more important, Yeats’s strong belief in polarity of the two terms of conflict is clarified.
The study of Yeats’s early poetry in terms of his theory of the mask has concluded that Yeats’s early mask is the very transcendent realm which Yeats’s early symbolism proposes to evoke and the main symbols used to express this ideal world are the images of Arcadian island across the sea, rose, the Irish mythic world and Maud Gonne; and the synthesis of Yeats's theory of the mask and symbolism in his early poetry causes some distortions in both his theory of the mask and symbolism. The nature of his transcendent world is conveyed not by the symbols but by the imperfect realities in spite of his strong belief that “divine essence” can only be evoked by the symbols; the nature of this ideal world has also been distorted: it is not the super reality lying beyond reality like Mallarme’s but only an ideal place where all the impurities and imperfections of the real world are removed or corrected. As for the theory of the mask, polarity, the most important basis of the theory, has been impaired: only the value and the love of the ideal world is emphasized, whereas those of the earthly life are restrained or its weaknesses and painfulness are stated to describe the ideal world.
                    영문 초록
목차
I. 예이츠의 마스크 이론
	                       
	                          II. 초기시의 마스크 이론과 상징주의의 갈등
	                       
	                          III. 결론
	                       
                    	키워드
해당간행물 수록 논문
- 비잔티움을 넘어서: 예이츠의 후기시에 나타난 초월의 문제 연구
- 메타시학으로 본 예이츠 시 「레다와 백조」
- W. B. Yeats's “Byzantium” and Zen Meditation
- 예이츠의 중기시에 나타난 모드 곤의 정치적 의미
- Perfection of Art in Yeats and Joyce: “Leda and the Swan” and A Portrait of the Artist as a Young Man
- 예이츠 초기시의 상징주의와 마스크 이론의 갈등
- 예이츠는 그의 『환상록』에서 무엇을 하고 있나?
- 예이츠와 소포클레스의 오이디푸스
- Michael Wood, Yeats and Violence. (Oxford: Oxford UP, 2010)
- The Authentic Power of Debunking Literature: Focusing on Famine Poems
- 비잔티움 시편에 나타난 현실과 이상
- Old Age and Art in Yeats
참고문헌
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