The Application of the Chinese Instrument Qin to Western Orchestra Based on Mimesis

• 발행기관: 아시아사회과학학회
• 저자명: Peilei Shang
• 간행물 정보: 『Journal of Asia Social Science』Vol.12 No.3, 95~124쪽, 전체 30쪽
• 주제분류: 사회과학 > 사회과학일반
• 파일형태: PDF
• 발행일자: 2024.09.30

국문 초록

The traditional Chinese instrument qin, also called guqin, represents both Chinese philosophy and traditional musical culture and occupies a very important position in Chinese culture. This paper involves the compositional exploration on the application of the Chinese instrument qin to western orchestra in the orchestral work Vagueness. The research question is based on the phenomenon of cultural hybridity. As for the realization of the cultural hybridity, mimesis, which is generally divided into covert and overt mimesis, is significantly discussed. The analytical part demonstrates explicitly the application of covert and overt mimesis in Vagueness. The created general tool of mimesis can be treated as a compositional method to realize a high degree of cultural hybridity for further composition.

목차

Introduction

1. Theoretical Background: Cultural Hybridity

2. The Method for Composition Based on Mimesis

3. Covert Mimesis Used in Vagueness

4. Overt Mimesis Used in Vagueness

Conclusions

References

키워드

Qin Orchestra Cultural Hybridity Mimesis

참고문헌

• Atten Percept Psychophys
• Journal of the Engineering Society
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• New York Routledge
• Société Nationale de Radio diffusion, Radio France/ Société Internationale de Musique Contemporaine
• Contemporary Music Review
• Postborder City: Cultural Spaces of Bajalta California
• Contemporary Music Review
• Contemporary Music Review
• Contemporary Music Review
• Computer Music Journal
• Perspectives of New Music
• Musical Signal Processing