Gertrude Stein과 Ernest Hemingway의 소설에 나타난 Style과 Emotion의 공감대

• 영문명: The Manifestation of Deep Emotion through the Style in Gertrude Stein and Ernest Hemingway's Novel
• 발행기관: 한국영어교육연구학회
• 저자명: 鄭海成(Hae-seong Jeong)
• 간행물 정보: 『영어교육연구』제28호, 193~213쪽, 전체 21쪽
• 주제분류: 사회과학 > 교육학
• 파일형태: PDF
• 발행일자: 2004.05.30

영문 초록

Gertrude Stein was a writer with a training in William James's psychology and visual art that made her uniquely attentive to modernist problems. In her work, she tried to catch the flowing present and to express the total immediate experience. For this, she practised automatic writing in her work. She expressed the floating sense of the individual in the continuous present by using ‘~ing’ form. She actually used the continuous present in Three Lives and The Making of Americans. And also she tried to arose the emotional sympathy to the readers through the revolutionary experiments of the painters of her day, particularly the cubists. Hemingway was profoundly influenced by the Steins's automatic writings, Williams James's special feature of thought, and Impressionist visual art. Hemingway's primary concern was to communicate the sympathetic emotion to the readers. He creates distinctive scenes and images by means of the elements which have generated in him an emotional charge, and which he then arranges in his written account to recreate the experience for his readers. In his fiction, he used a clear and terse style and repeated expression as part of his strategy in representing the reader's sympathetic emotion. And he aroused the powerful emotional impact to the readers through this style.