영화 <무정>의 각색에 나타난 박기채의 작가성 연구

• 영문명: Park Ki-chae's Authorship in the Adaptation of Heartlessness(Mu-jeong): The Formation of Woman's Film and the Emergent Female Reader-spectatorship in Colonial Chosun
• 발행기관: 한국영화학회
• 저자명: 주창규
• 간행물 정보: 『영화연구』제48호, 393~443쪽, 전체 51쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2011.06.30

영문 초록

In this paper, I attemt to identify Park Ki-chae's authorship in the adaptation of Heartlessness(Mu-jeong). Firstly, I compare and analyse the articulating of the plot between Lee kwang-Su's original novel Heartlessness (Mu-jeong)(1918) and Park Ki-Chae's scenario Heartlessness(Mu-jeong) (1938). Secondly, I analyse the Park's authorship as the overdetermined effect of three phase, which are Park's individual personality as the film director, the specialization and dividing of Chosun cinema industry, and the emergent female reader-spectatorsip as the consumer-suject. Consequently, this paper suggests below. First, there are six charateristics in the adatation from original novel to scenario, that are 'the reduction of the quantity', 'the reduction of the quantity with specific intention', 'the elimination of the enlightment,' 'the reduction and transformation of the popularity,' 'the enlargement and transformation of the passing-time', and 'the replacement from the melodramatic mode to moderated style.' The mode of the adatation from original novel to scenario is the the feminization of Heartlessness(Mu-jeong)(1918). Second, the feminization of Heartlessness(Mu-jeong) is attributed to Park's individulal personality that is the combination of Park's spirit of author and his ability of well- addressing to female audience. Three, the feminization of Heartlessness (Mu-jeong) is also attributed to the specialization and dividing of Chosun cinema industry, developing woman's film genre by studio production system. Finally, the adapion of Heartlessness(Mu-jeong) is the attempting to articulate the emergent female reader-spectatorship and 'sexual modernism' in colonial Chosun.

목차

1. 영화 <무정>의 밤

2. 원작소설 무정과 시나리오 <무정>의 플롯 분절화

3. 소설에서 영화로 각색의 특징과 무정의 여성화

4. 주체와 ‘무의식적 촉매’로서 박기채의 작가성

5. 식민지 조선에서 ‘여성용 영화 장르’의 형성과 부상하는 여성 독자․관객성

6. 맺는 말

키워드

Park Ki-chae Authorship Adaptation Heartlessness(Mu-jeong) Woman's Film Female Readership Female spectatorship