실험영화의 시간 미학 연구

• 영문명: A Study of Time Aesthetics in Experimental Film
• 발행기관: 한국영화학회
• 저자명: 장민용
• 간행물 정보: 『영화연구』제49호, 309~330쪽, 전체 22쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2011.09.30

영문 초록

We can not understand experimental films as the existing study of mainstream narrative films. Most of experimental films have different values of evaluation which conventional films could have. They have developed unstrict and personal styles. Here, I want to suggest a possible method of study that experimental film can create the structure of filmic time and I am sure that it can deliver valuable meaning for the aesthetics of experimental film. First, the temporal duration of film can determine of its meaning. Second, the shape of the film can create the impression of it. Conventional narrative film utilize a linear vector of development. But, in many experimental films , the time vector can have many shapes such as a circular , vertical , spiral one. One final aspect of time aesthetics of experimental film is related of editing process. One critical transformation of the experimental film is the increasing use of collage techniques rather than montage. It tears the imagery out of spatial continuity and restructures it in a temporal continuum by using the filmmaker's personal cinematic logic. Freed from the representational demands of montage, the filmmaker can evolve a personal logic that temporally coheres the image. Editing in the experimental film can reveal a lot about the filmmaker's personal expression of energy. Filmmakers can shape of the flow of the imagery from the energy.

목차

1. 서론

2. 영화의 지속시간에 의한 시간의 인식과 의미

3. 실험영화에서 시간의 형태

4. 실험영화에서 편집을 통한 시간의 변형

5. 결론

키워드

experimental film time structure shape frame editing energy