같은 가사, 다른 음악

• 영문명: Same Texts, Different Musics: A Comparative Analysis of the Lied, Suleikas, by Mendelssohn and Schubert
• 발행기관: 한국서양음악학회
• 저자명: 송무경
• 간행물 정보: 『서양음악학』제13권 제1호, 157~186쪽, 전체 30쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2010.01.30

영문 초록

The paper is a comparative analysis of Mendelssohn's and Schubert's Lieder, Suleikas, based on Marianne von Willemer's poems. After a short survey regarding the current scholarship towards analytic methods of a song analysis, the study moves from poems to songs. Mendelssohn and Schubert failed to know the genesis of the poems in the process of writing the Lieder because correct information regarding the authorship and compositional background of the poems was not available. In spite of the lack of trustworthy information, both composers were quite successful in reflecting poetic images into the musics so that they created their musical worlds, in which texts and music are incorporated in the third media, Lieder, in their own peculiar ways. Deliberate was Mendelssohn's choice of keys, Ursätze, harmonic organization, and motivic devices as well as his cross-reference by melodic quotation and voice-leading path in his Ostwind and Westwind. Schubert also created his own unique musical space through the mode mixtures in diverse contexts and through the adoption of a sonata-form scheme in the through-composed song although he did not mark musical references between the pair of songs as much apparently as Mendelssohn did.

목차

제1장 들어가면서

제2장 가곡의 분석방법

제3장 시 연구

제4장 가곡 연구

제5장 나가면서

참고문헌

키워드

멘델스존 슈베르트 예술가곡 줄라이카 괴테 마리안네 성부교환 『서동시집』 쉔커식 분석이론 Felix Mendelssohn Franz Schubert Lieder Suleika Goethe Marianne von Willemer voice exchange West-östlicher Divan Schenkerian theory