청자의 상상함과 음악적 이해

• 영문명: Listeners' Imaginings and Musical Understanding : Beyond the Dichotomy of Formalist and Hermeneutic Analysis
• 발행기관: 한국서양음악학회
• 저자명: 정혜윤
• 간행물 정보: 『서양음악학』제12권 제1호, 79~107쪽, 전체 29쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.01.30

영문 초록

This essay investigates the essence of listeners’ musical experience and understanding through critical readings of Fred Everett Maus’s analysis of Beethoven’s String Quartet Op. 95 in his “Music as Drama” and Edward T. Cone’s analysis of Schubert’s Moments musicaux Op. 94, no. 4 in his “Schubert’s Promissory Note: An Exercise in Musical Hermeneutics.” From the anthropomorphism and the fusion of technical vocabulary and dramatic description of music prevalent in both analyses, this essay ultimately claims that listeners’ psychological involvement and imaginings play an essential role in the understanding of music under discussion. Meanwhile, it also shows that the traditional dichotomy between formalist and hermeneutic approach to music does not work in the experience of music examined in this essay

목차

Ⅰ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고문헌

키워드

청자의 상상함 음악적 이해 의인화 청자의 심리적 관여 형식주의 적 분석과 해석학적 분석의 이분법 Listeners' imagining Musical Understanding Anthropomorphism Listeners' psychological involvement The Dichotomy of Formalist and Hermeneutic Analysis