모차르트 오페라의 관습적 이디엄

• 영문명: Mozart's Conventional Idiom in his Opera
• 발행기관: 한국서양음악학회
• 저자명: 권송택
• 간행물 정보: 『서양음악학』제12권 제1호, 41~78쪽, 전체 38쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.01.30

영문 초록

Mozart's artistic creativity is markedly shown in his technique of applying conventional idioms through which he communicated with his audience. The best way to understand his expressive vocabulary would be to examine the musical language in his operas, since it develops its own plot. In this study, the treatment of the conventional idioms in Le nozze di Figaro and Don Giovanni was analyzed in four categories based on Mozart's own statement about Die Entführung aus dem Serail: overture as an anticipation of an opera, description of characters' class and nature, description of changing moods or affection, and technique of conversion between scenes. This study can provide a somewhat clear view to draw a whole picture of Mozart's rhetoric in his instrumental music

목차

들어가는 말

본론

1. 서곡의 분위기 묘사

2. 등장인물의 신분, 성격묘사

3. 감정의 변화 묘사

4. 장면전환 기법

나가는 말

참고문헌

키워드

관습적 이디엄 토픽 수사학 오페라 부파 <피가로의 결혼> <돈 지오반니> <후궁탈출> Conventional idiom Topic Rhetoric Opera buffa Le Nozze di Figaro Don Giovanni Die Entführung aus dem Serail