상하이 時代曲을 통해 본 중국 근대 유행음악의 혼종성 연구

• 영문명: The Study of the Hybridity of Modern Chinese Popular Music through Shanghai Shidai Songs
• 발행기관: 조선대학교 국제문화연구원
• 저자명: 최명숙(Choi, Myungsook) 김현주(Kim, Hyunju)
• 간행물 정보: 『국제문화연구』Vol.14 No.2, 47~72쪽, 전체 26쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2021.12.30

영문 초록

After the First Opium War (1840∼1842), the concession of Shanghai (tentatively 31199; within the boundary) freely transplanted Western cultures such as Britain, the United States, France and Japan, and began to flow into multinational mixed cultures. Like this, Shanghai pop songs made in 1920∼1940s have also influenced the narrative and reproduction of Chinese pop music for nearly a century. In this paper, through the Shanghai old songs, which appeared mainly in Shanghai in the 1920s and 1940s and gained great popularity in the public, also named Shanghai period songs, primarily discussed the hybridity and characteristics of them. Next is the examination of the genre of Chinese new music and the mixed pattern of singing methods born in the process of introducing Western music. The nationwide success of academic musicians through Japan, the expansion of jazz music, and patriotic songs created by left-wing musicians of Academic group developed through mutual intersection and mix between musical elements. It is a huge and complex task to reveal the full picture of the mixing of modern Chinese pop music and Shanghai period songs. This paper throufg the understanding China s complex and multi-layered historical events, social phenomena, and musical hybridity, can be meaningful in providing an important clue for a full-fledged comparative study of modern pop music between Korea and China.

목차

Ⅰ. 서론

Ⅱ. 중국 근대 流行音樂의 개념적 혼용

Ⅲ. 學堂樂歌와 재즈 음악의 장르적 혼용

Ⅳ. 전통희곡과 벨칸토 창법의 융합

Ⅴ. 결론

키워드

중국 근대 유행음악 상하이 시대곡 상하이 노가 학당악가 재즈 혼종성 Chinese popular music Shanghai ‘shidai’ song Shanghai old song school song jazz hybridity