『제인 에어』의 영화 각색과 여성의 섹슈얼리티

• 발행기관: 한국영미어문학회
• 저자명: 김진옥
• 간행물 정보: 『영미어문학』영미어문학 제134호, 43~60쪽, 전체 18쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2019.09.30

영문 초록

This paper examines how Charlotte Brontë’s literary text and the 1944 film and the 1996 film of Jane Eyre are connected in the theme of female sexuality. The analysis is based on the adaptation theories of Kamilla Elliott and her major concepts of film adaptations. The 1944 film by Robert Stevenson follows the ventriloquist concept of adaptation that Elliott defines as one of concepts of adaptations. The 1944 film of Jane Eyre omits Brontë’s feminist’s learnings, replacing them with the submissive and meek roles of women(Jane). This film describes a romantic love that was more acceptable in the 1940’s, evacuating the conflict between Jane and Rochester in the novel. On the other hand, the 1996 film directed by Franco Jeffirelli expresses the Victorian female sexuality which is repressed in the literary texts. This film revised many scenes from the novel into feministic and postcolonial visions, as the literary critics added critical narratives. The 1996 film demonstrates Elliott’s idea that films surpass the novels they adapt.

목차

1. 들어가는 말

2. 1944년 각색: 복화술로서의 각색과 로맨스

3. 1996년 영화 각색과 영화가 우위라는 개념

4. 나가는 말

키워드

Charlotte Brontë Kamilla Elliott Bertha Jane Eyre feminist film adaptations Lacan postcolonialism 샬럿 브론테 카밀라 엘리엇 버사 제인 에어 페미니스트 영화 각색 라깡 탈식민주의