『천변풍경』에 드러난 정념의 대상으로서 ‘천변’ 연구

• 영문명: Aspect of Pathological Symbol ‘Cheonbyun’ in Cheonbyunpoonggyong
• 발행기관: 한양대학교 수행인문학연구소
• 저자명: 김정란(Kim Jung Ran)
• 간행물 정보: 『수행인문학』수행인문학 제41집 제1호, 85~107쪽, 전체 23쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2011.06.30

영문 초록

This study tried to investigate the aspect of pathological symbol ‘cheonbyun’ in Park Tee-won’s Novel Cheonbyunpoonggyong. Park Tee-won was member of ‘ku-in-hoi’, so as a Modernist, his Novels was studied formally modern and modernism as an expression. But through the study of this approach, limitations of the study revealed. As a Modern intellectual and artist, Park Tae-won tried co search Chosun daily life to explore the meaning of life. Bur since the late 1930’s sophistication of his fictional began to lose. At this point, the beginning of this study and paid. In the eyes of colonial intellectual, 1930’s in Chosun is regarded as a prospect does nor reality. Bur the subject of negative and positive destruction can only end in the conclusion that the betrayal. So Park Tae-won was seared inside in pathological symbol ‘cheonbyun’. In ‘cheonbyun’ the image of happiness guaranteed, embodied the oriental moral image and gathered by the artist bourgeois’s picture was reveals the paranoid see. Antinomy of mordern reason and oriental moral sense in Cheonbyunpoonggyong may be reviewed in pathologial sense of Park Tao-won.

목차

Ⅰ. 서론

Ⅱ. 정념으로 가득한 천변의 풍경과 근대적 나르시시즘

Ⅲ. 결론

인용문헌

〈Abstract〉

키워드

『천변풍경』 모더니즘 1930년대 세태소설 정념의 기호 소시민 형상 편집증적 시선 이율배반 Cheonbyunpoonggyong modernism late 1930’s sophistication pathological symbol bourgeois’s picture paranoid see antinomy