Woven Forms에 나타난 현대섬유예술의 변형과 확장에 관한 연구

• 영문명: A Study on Transformation and Expansion of Contemporary Fiver Art immanent Woven Forms
• 발행기관: 한국조형디자인학회
• 저자명: 김세원(Kim, se-won)
• 간행물 정보: 『조형디자인연구』한국공예논총 제12집 2권, 1~21쪽, 전체 21쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2009.06.30

영문 초록

Woven Forms that Lenore Tawney, American fiber artist, has called means the secession from the traditional weaving art as used to exhibition title who Paul Smith curated it at Museum of Contemporary Crafts , New York in 1963. Woven form has concept the abstract three dimentional sculptural forms, hanging free on the ceiling, breaking from the wall and standing free on the floor. It is very important that woven forms opened the horizon of the contemporary fiber arts as make a turning point of the American Fiber Movement in 1960s and 1970s. Tapestry weaving art based on function leaded many of words like a wall hanging, soft sculpture through carrying out an experiment on diverse medium and techniques on the new recognition with appeared artist/weaver. Many artists made some creative works as a art form. Lenore Tawney, Claire Zeisler and Sheila Hicks of them who studied on techniques about ancient Peruvian textiles particularly are called 3 persons of innovative fiber artist of the U.S.A. These people expanded previous traditional fiber arts to soft sculpture that fiber has properties of materials and more sculptural form and we knows that they were pioneers of fiber arts for the 80s. So I tried to study about some samples of expansion way of the post-traditional fiber arts as did analysis of works' characteristics of them.

목차

I. 서 론

Ⅱ. Woven Forms의 형성

Ⅲ. Woven Forms의 출현과 현대섬유 예술가의 등장

Ⅳ. 현대섬유예술의 변형과 확장

Ⅴ. 결 론

키워드

woven forms fiber art fiber movement transformation expansion