- 영문명
- A Study of Digital Grading in the Area of Digital Intermediate Environment
- 발행기관
- 한국영화학회
- 저자명
- 김정환
- 간행물 정보
- 『영화연구』제27호, 111~134쪽, 전체 24쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2005.12.31
국문 초록
영문 초록
Today every aspect of film production is becoming more and more influenced by digital technology. The latest ground swell to hit film making is the Digital Intermediate process. In simplest terms the Digital Intermediate process or DI is the conversion of film to digital bits and then back to film again. The move of film industry toward Digital Intermediate(DI) as an alternative to the analogue chemical film-lab, and more, is now well under digital way. This not just because it can be a quicker, cleaner and more flexible alternative to the traditional approach but because it is a far better fit for the requirements for today's modern media world. The growing sophistication of film-makers and the influence of technology is ever increasing the benchmark of the quality expected by the audience. Today every aspect of film production is becoming more and more influenced by digital technology. The latest ground swell to hit film-making is the Digital Intermediate process. Digital intermediate technology is evolving quickly, and prices are expected to come down as new and faster equipment becomes available. In an environment where video acquisition is starting to make inroads in feature production, digital intermediate offers a new lease on life for celluloid, giving film makers many of the creative tools that their TV counterparts have used for years. At the same time, the process takes us one step closer to a full digital work-flow where all circled takes are scanned and a cut show is built entirely in the digital domain. The point is the price of DI is coming down and savvy producers will find ways to leverage this technique to reduce costs while increasing the quality of the viewing experience.
목차
1. 서론
2. 본론
3. 결론: 우리나라 DI의 문제점과 개선방안을 통한 효율적인 작업에 대하여
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