- 영문명
- 'The Lord of the Ring' as a Bible text: Based on the linear allegory of narration
- 발행기관
- 한국영화학회
- 저자명
- 이성욱
- 간행물 정보
- 『영화연구』제42호, 513~543쪽, 전체 31쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2009.12.31

국문 초록
영문 초록
In recent years, research of the Bible has tried to read it as literature through the analysis of its similarities to literature as well as study it from the historical and theological perspectives. As Northrop FRYE said in his On Teaching Literature, “Without some knowledge of the Bible one simply does not know what is going on in English literature,” the knowledge of Bible has expanded the understanding of literature. And it might be possible to find the archetype of Bible in the movie as it uses allegory like literature. Allegory is a mode of representing an abstract concept and its figuration into a specific image gives it a meaning. Goethe said, “Allegory is transforming a phenomenon into a concept, then transforming it into an image,” and it can be understood in this context. The concept of allegory can be understood based on the perspectives of Elizabeth Franzel, Walter Benjamin, and John MacQueen. This study tries to harmonize the differences between the subjects of this study, the Bible and a movie, in the framework of the allegory of Bible, and understand how the characteristics of the archetypical allegory of the Bible are transformed and used in the movie, , by dividing the internal relationship between the Bible and the movie into 5 stages of linear allegory; the matter of sin, conflict and struggle, suffering, resurrection and holy marriage. To avoid prejudice in the research, efforts were made not to interpret the allegory from theoretical thinking, and limit the scope of this research to the classification, comparison and understanding of the aspects of allegory in the Bible and the movie by reviewing the theories closely related to the subject in general. has been favorably accepted by theoretical, critical, and media experts as well as general readers. If the interpretation of the movie as an allegory of the bible is established, it will be possible to develop the interpretation of the movie into critical discourses.
목차
1. 들어가는 말
2. 죄의 문제 : 선악과와 절대반지
3. 대립과 투쟁
4. 고난
5. 부활
6. 결혼
7. 나오는 말
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