- 영문명
- Study on Development of Spatial Sound in Motion Pictures: Focusing on 《Gravity》
- 발행기관
- 한국영화학회
- 저자명
- 성재현 이민아
- 간행물 정보
- 『영화연구』제61호, 229~248쪽, 전체 20쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2014.09.30
국문 초록
영문 초록
Space in the film is expressed by a variety of different forms ofmeaning and furthermore space could be the reason in the presence of awork. space in the film plays a important roll of tasks in making up thearea of the screen image and sound over the visual space through soundconsists of auditory space. sound has its own screen compositiontechniques that generate an idea of adding space in space, as well as inthe surrounded existing through amalgamate a foe space to a visualimage. In production’s aspect, it is very important in sound configuration thatan ambience of stems in term of expressing film sound, makes people toconcentrate in storytelling. sound, the configuration of ambience is torelocate the two-dimensional space into the three dimensional space. thisreproduces the overall expression of images and realistic nature. there aremany kinds of sound system, however none of these are excludable. people may think all of these difference stem’s components arerecognized through psycho-acoustic system. although an ambience givesunderstanding of psycho-acoustic system, people can be disturbed if amain idea of configuration is different from the image. Many scenes in the film make the decisions by using the continuity of sound. discontinuity of scenes often happens in low budget featured films,or student films due to the different size of pictures and disharmony ofambience. In order to have the power of persuasion in spatial sound in the film,it is important to acquire the audience’s perception by efficient operationsystem, arrangement and design. this study was designed to discuss theambience in sound system. This paper is written to describe the sound system by stems. it willanalyze theories specifically for ambience and detail relationship betweenvisual and sound in the film .despite to other movies, has been praised for using whole new different realistic visual and soundeffect that people have never experienced in the field of cinematicspacious and it received sound award and sound editing award inAcademy Award 2013. has contributed a lot in the field ofambience analysis and this paper will talk about the technical and artisticparts of the research and discussions in the special sound.
목차
1. 서론
2. 본론
3. 결론
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