리스트의 《순례의 해, 제2권》에서 보여지는 조성적 모호함과 응집성

• 영문명: Tonal ambiguity and coherence shown in Liszt's Années de Pélerinage, Vol. II: Rethinking as a Piano Cycle
• 발행기관: 한국서양음악학회
• 저자명: 안소영 송세라
• 간행물 정보: 『서양음악학』제13권 제2호, 125~153쪽, 전체 29쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2010.05.30

영문 초록

In general, character pieces for piano by Franz Liszt(1811-1886) are considered as piano collections rather than cycles. For example, in Années de Pèlerinage, Vol. II (1838-1849), one of Liszt's piano collections, there are no relevant facts to estimate it as a cycle in the musical surface. Meanwhile, tonal ambiguity is presented by non-functional 3rd progression in the introductory part of each movement so that the tonic key is slowly established. Interestingly, the 3rd progression in the introduction plays a role to form tonal structure within a movement and leads to connect movements as a cycle. Through the innovative harmonic language of Liszt, the paper explores how the tonal coherence is achieved in the piece, rethinking it as a cycle.

목차

I. 들어가면서

II. 각 곡 안에서의 조성적 모호함

III. 작품 전체에서의 조성적 응집성

IV. 나가면서

참고문헌

키워드

3도관계 조성적 모호함 조성적 응집성 모음곡 연곡 리스트 화성 싸이클 3rd relationship tonal ambiguity tonal coherence collection cycle Franz Liszt harmonic cycle