회화적 요소를 응용한 바디아트 디자인 연구

• 영문명: Body Art(바디 아트), Art Makeup(아트 메이크업), Body Painting(바디페인팅), Buddha(부처), Buddhist Art in the Unified Silla Period
• 발행기관: 한국인체미용예술학회
• 저자명: 이연서(Yeon-Seo Lee) 김연아(Yeon-A Kim)
• 간행물 정보: 『한국인체미용예술학회지』한국인체미용예술학회지 제21권 제3호, 311~324쪽, 전체 14쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2020.09.20

영문 초록

In modern society, with its coexistence of diverse culture, it is a process of genuine cultural development to remember the beauty of the traditions in our cultural heritage and allow it to continue to evolve through art and cultural exchange and creative work. The truth and concept of religion are invisible in our daily lives. To expose it, help from art is needed. Buddhism, in which people realize truth on their own, samsara, and the redemption of all people are recognized as the highest values, has long been entwined with the history of the Republic of Korea. During the era of the Unified Silla Dynasty, Buddhism was beyond a mere religion and was an official state religion. Since it was directly connected with the country’s fate, Buddhist temple-related fine arts flourished. Therefore, this study attempted to reinterpret the images of Buddha based on a theoretical review of Buddhist concepts and characteristics of Buddhist art during the Unified Silla period and suggested new styles of both Korean and modern ambivalence by expressing pictorial element-applied design through body painting in a torso mannequin style. It is expected that these works would offer an opportunity to contemplate the meaning and value of Korean traditional patterns by expressing the Buddhist art of the Unified Silla Dynasty. It is also anticipated that they would be available as art and aesthetic cultural contents in a creative and diverse fashion.

목차

Ⅰ. 서론

Ⅱ. 이론적 배경

Ⅲ. 연구방법

Ⅳ. 작품제작

Ⅴ. 결론

참고문헌

키워드

바디 아트 아트 메이크업 바디페인팅 부처 통일신라시대 불교미술 Body Art Art Makeup Body Painting Buddha Buddhist Art in the Unified Silla Period