- 영문명
- A Study on the Beauty Culture of the Chin-Han Period in China
- 발행기관
- 한국인체미용예술학회
- 저자명
- 박보영(Park Bo-Young)
- 간행물 정보
- 『한국인체미용예술학회지』한국인체예술학회지 제5권 제2호, 183~196쪽, 전체 14쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2004.12.01
국문 초록
영문 초록
This paper examines the beauty culture of the Chin-Han period in China. It seems that the Chin succeeded to Chu"s beauty culture. Also, we can think that the Chin is a transition period because the Han succeeded to the Chin"s beauty culture.
The Han developed the economic and cultural level, so the makeup and dress style multicolored. The Chin-Han was very popular the red style makeup of the compound powder and rouge, the Paljami, Wansanmi and Taemi type eyebrows. These modes succeeded to the Ming-Qing period. In general, the palace and the wealthy classes leaded beauty fashion in the Han period.
We concluded that the variety of beauty culture is closely related to economic stabilization and esthetic consciousness. Therefore, the Chin-Han period is the climax of the Chinese beauty culture in political, economical and socio-cultural aspects.
The Han developed the economic and cultural level, so the makeup and dress style multicolored. The Chin-Han was very popular the red style makeup of the compound powder and rouge, the Paljami, Wansanmi and Taemi type eyebrows. These modes succeeded to the Ming-Qing period. In general, the palace and the wealthy classes leaded beauty fashion in the Han period.
We concluded that the variety of beauty culture is closely related to economic stabilization and esthetic consciousness. Therefore, the Chin-Han period is the climax of the Chinese beauty culture in political, economical and socio-cultural aspects.
목차
ABSTRACT
Ⅰ. 서론
Ⅱ. 색조화장
Ⅲ. 머리양식
Ⅳ. 미용문화의 역사적 의미
Ⅴ. 결론
참고문헌
Ⅰ. 서론
Ⅱ. 색조화장
Ⅲ. 머리양식
Ⅳ. 미용문화의 역사적 의미
Ⅴ. 결론
참고문헌
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참고문헌
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