‘가(假)’의 관점에서 바라본 이청준의 소설 인식

• 영문명: Lee Chung-jun’s Novel-cognizance Examined by the ‘False(假)’ Motif
• 발행기관: 한국언어문학회
• 저자명: 한순미(Han Soonmi)
• 간행물 정보: 『한국언어문학』한국언어문학 제55집, 481~497쪽, 전체 17쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.10.01

영문 초록

This thesis considers chiefly in the 'False(假)' motif, appears repeatedly in Lee Chung-jun's novel. And attentions how the motif tuned with his formation of view of novel, and pursuits the aesthetic philosophic cognizance within. In Lee's work, the question about 'False' processed as follows. On the basis, there is tragic cognizance that the actual world is full of the 'False', then searching alternative plan both in individual and social dimension. In such course, he used aesthetic device like 'Mask' and a 'rhetoric of Masquerading' in pickpocket character. Consequently, he rescues the romantic truth which has critical attitude on the absurdity and violence of actual world. It is clear that his works are not only the fictions but also the fictions intermediate actuality. All of these examination let us notice Lee's post-modern speculation. And his works formated strategically by the supplement relation in "Truth/False, Fact/Rumor, Genuine/Corrupted, Value in use/Exchange value, Real/Fictional". Like this, by tuning the cognizance of 'False' variety, supplements new significance of the 'fiction', the basic concept of novel. Lee's peculiar 'pseudomorph(假象)' formed in this way.

목차

Ⅰ. 무한 변주의 모티프, ‘가(假)’의 철학적 사유

Ⅱ. 가면(假面)과 죽음 : 「가면의 꿈」과 「예언자」

Ⅲ. 가장(假裝)의 수사학 : 「소매치기」 연작

Ⅳ. 가상(假象)의 소설론 : 「가수」

Ⅴ. 가상(假象)의 탈근대성

참고문헌

Abstract

저자소개