지아장커의 <상해전기>에 나타난 영화적 미장아빔과 역사 횡단 연구

• 영문명: A Study on Cinematic Mise en abyme & History Cross-strait in Jia Zhangke’s
• 발행기관: 한국영상제작기술학회
• 저자명: 이희승 김은정
• 간행물 정보: 『영상기술연구』제32호, 133~146쪽, 전체 14쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2020.05.31

국문 초록

is a visual poem by Jia Zhangke, who re-read Shanghai’s history from a present perspective. Following the gaze of a serene, dreamy camera, the landscape of Shanghai unfolds, and countless people emerge who ever lived and living there. Shanghai is one of the most complex city and has a variety of history and culture among Chinese cities. It imprints the modern history of China, which is transforming into a socialist country as well as Western culture and diverse cultures of Asian countries, on the whole of the city. Jia Zhangke brings the city’s mysterious secrets to the memory of those who lived through the age of change. This film is made up of four layers. Seventeen interviews, black-and-white photographs and video footages, the journey of an unidentified white-clad woman, and innumerable silent figures of Shanghai today. Interviewees speak of the parents’ generation and their own glory, and city workers who don’t speak anything are mixed up on multi layer and showing the face of Shanghai. And the film acts as a cinematic mise en abyme with various borrowed film scenes, which serve to reconstruct Shanghai’s history.