《掛枝兒》와 《山歌》에 나타난 기녀의 손님맞이 양상

• 발행기관: 한국중국문화학회
• 저자명: 서연주
• 간행물 정보: 『중국학논총』제59호, 103~124쪽, 전체 22쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2018.09.30

영문 초록

In the late Ming Dynasty, female entertainers were one of the driving forces in flourishing the folk songs. Among the jilou[妓樓], the activities of female entertainers had huge influence on creation, enjoyment, and distribution of folk songs. As the folk songs were praised for singing the ‘true feelings’ of the people at that time, the songs also well-reflected the actual lifestyle and feelings of ordinary female entertainers. touting , hospitality are the main business of female entertainers, the folk song books compiled by Feng Mengrong are meaningful in that these contain works that express the business cases of ordinary female entertainers in a very specific way. But female entertainers tragic situations and misery are reflected passively in 《Guazhi-er》and 《Shange》. Such limitation is assumed to be closely related with the entertaining purpose of song books and female entertainers characteristics of social level.

목차

Ⅰ. 들어가며

Ⅱ. 호객 양상

Ⅲ. 접객 양상

Ⅳ. 손님맞이 양상의 의의와 한계

Ⅴ. 나가며

키워드

괘지아 산가 풍몽룡 민가 명대 기녀 손님맞이 유희성 Guazhi-er Shange Feng Menglong folk song Ming era female entertainers serving customers playfulness