Aura's Disappearance and Remolding in the Digital Age: Digital Art's Impact on the Traditional Aesthetic System

• 영문명: 数字时代的灵光消逝与重塑：论数字艺术对传统审美体系的冲击与重构
• 발행기관: Korea Institute for Humanities and Social Sciences
• 저자명: DU Fangru TIAN Lianye
• 간행물 정보: 『Journal of Global Arts Studies (JGAS)』Vol.3, No.3, 82~90쪽, 전체 9쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2025.09.30

국문 초록

[Background] Building on Benjamin's The Work of Art in the Age of Mechanical Reproduction, technology (like photography and film) liberated art from ritualistic worship, shifting its focus to display value and political function. The digital age extends this liberation: AI, VR/AR, and other technologies create new art forms, impacting the traditional “aura” and value system. Concurrently, digital art introduces issues of copyright and the digital divide. [Objective] Starting with the disappearance of Benjamin's “aura” due to mechanical reproduction, this paper discusses changes in art's creation, dissemination, and reception in the digital age. It analyzes digital art through technology, aesthetics, form, and ethics, revealing technology's impact on traditional art and discussing digital art's interactivity and aesthetic modernity to provide a reference for social development. [Method] Combined with Benjamin and other theories and specific cases, from the technology, experience, ecology, ethics multi-dimensional deconstruction, contrast the artistic characteristics of different times. [Results] Digital art reconstructs art noumenon, aesthetic experience and ecology, but it also exposes ethical and practical problems such as copyright dispute, digital divide and market bubble. [Conclusion] The “distributed brilliance” of the digital age is not based on material uniqueness, It is reflected in the variability of program generation, the non-replicability of interactive experience, and the value recognition of community consensus. And the “relational truth” given by blockchain technology, it is necessary to balance technology and humanities to promote its healthy development in the future.

영문 초록

【背景】基于本雅明在《机械复制时代的艺术作品》中提出“灵光”消逝，强调机械复制技术（如摄影、电影）解放了艺术的仪式崇拜功能，使其转向展示价值与政治功能。数字时代延续了这一解放性逻辑，AI、VR/AR 等技术催生新艺术形态，传统“灵光”与价值体系受冲击，同时数字艺术伴生版权、数字鸿沟等问题。 【目的】本文从瓦尔特·本雅明i的“灵光”概念在机械复制时代的消逝出发，旨在讨论数字时代中艺术的创作、传播与接收方式所面临的转变。本文从技术、审美、艺术形态、伦理等维度剖析数字艺术，借本雅明“灵光消逝”理论，揭示技术对传统艺术的冲击，探讨数字艺术的交互性与审美现代性，为社会发展提供参考。 【方法】结合本雅明等理论与具体案例，从技术、体验、生态、伦理多维度解构，对比不同时代艺术特征。 【结果】数字艺术重构艺术本体、审美体验与生态，但也暴露版权争议、数字鸿沟、市场泡沫等伦理与现实问题。 【结论】数字时代所诞生的“分布式灵光”，并非基于物质唯一性，而是体现在程序生成的可变性、交互体验的不可复制性、社群共识的价值认同，以及区块链技术所赋予的“关系性原真”之中，未来需平衡技术与人文以推动其健康发展。

목차

1 引言

2 技术颠覆与艺术本体的流变：从“复制”到“生成”

3 审美体验的重构：交互、沉浸与参与式文化

4 艺术生态的变迁：NFT、区块链与价值体系的革命

5 伦理困境与未来展望

6 结语

参考文献

키워드

Digital Art Aura Benjamin Interactivity 数字艺术 灵光 本雅明 交互性