학술논문
「초자연의 노래들」에 나타난 초자연적 무아경
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- 영문명
- The Supernatural Ecstasy in the “Supernatural Songs”
- 발행기관
- 한국예이츠학회
- 저자명
- 고준석(Joon Seog Ko) 정호영(Ho Young Chung)
- 간행물 정보
- 『한국 예이츠 저널』27권, 31~52쪽, 전체 22쪽
- 주제분류
- 인문학 > 언어학
- 파일형태
- 발행일자
- 2007.06.30
5,440원
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국문 초록
This paper is to discuss the supernatural ecstasy in the “Supernatural Songs”. When focusing his poetry on the physical, Yeats turned his attention more and more toward the East. While seizing upon an increasingly physical and sexual emphasis, Yeats's secular spiritualism moved in an Eastern, monistic direction. As far as he was concerned, sexual spirituality was much more compatible with indian spirituality. To embody these instincts and passions, he posited a mythical character by the name of Ribh as the cental character of the “Supernatural Songs”. He tried to display a transcendental ecstasy. He associated early Christian Ireland with India. He described the fictional character of Ribh as an early Christian hermit, who is ninety years old. In the East, Yeats found a propensity toward unity of being that would underscore the essential unity of flesh and spirit so necessary to his thought. The “Supernatural Songs” thus brought together an Eastern amalgamation of Christianity and Asian religiosity, merging the supernatural-spiritual with the natural-physical. Yeats espoused tantric sex, a form of Kundalini, with its emphasis on self and the sexual act as the way to spiritual energy and fulfillment. The word Kundalini means coil, which Yeats reflects in the serpent imagery. In conclusion, Yeats found an imaginative way whereby he was able to fuse the spiritual with the physical in the “Supernatural Songs”. This secular spirituality allowed Yeats the sexual freedom he sought for. The intense moment of climax is that conflagration in which all antinomies are resolved, time stands still, and natural bonds with supernatural. His emphasis on unity of being is compatible with an Eastern worldview, which merges all into a monistic unity. Indeed, poetry itself is in Yeats's mind an imaginative alchemy, the transmutation of life into art, a fusing of the spiritual with the material.
영문 초록
목차
I. 들어가면서
II. 「초자연의 노래들」에 나타난 탄트라의 의미
III. 초자연적 무아경
IV. 나오면서
키워드
해당간행물 수록 논문
- 셰이머스 히니 시에서의 부재 또는 무
- 셰이머스 히니의 「스테이션 아일랜드」(“Station Island”)와 기억 이미지
- 「초자연의 노래들」에 나타난 초자연적 무아경
- 예이츠 시의 감각적 요소
- 예이츠의 앵글로 아이리쉬 정체성 담론: 비극적 영웅주의, 문화, 전통
- “The Hawk” and Yeats’s Decolonization Process
- Yeats’s Mysticism and Nationalism in his Early Years
- 셰이머스 히니의 식민언어 유희하기
- 예이츠와 키이츠의 시간의 극복: 「비잔티움으로의 항해」와 「가을에게」를 중심으로
- Occult Influence on Yeats’s View of History in A Vision
- Acceptance of Hybridity and the Expansion of Identity: Focusing on Seamus Heaney and William Butler Yeats
- [보고서] W.B. 예이츠 탄생 100주년 기념행사를 회고하며
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