A Study on the Metaphorical Features of Chinese and Korean National Ballets in the 20th Century: Taking the National Ballets ‘Raise the Red Lantern’ and ‘Shen Qing’ as Examples

• 영문명: A Study on the Metaphorical Features of Chinese and Korean National Ballets in the 20th Century: Taking the National Ballets ‘Raise the Red Lantern’ and ‘Shen Qing’ as Examples
• 발행기관: ACADEMIC FRONTIERS PUBLISHING GROUP(AFP)
• 저자명: ZHANG Haowei
• 간행물 정보: 『Journal of Sinological Studies(JSS)』Vol.1 No.1, 1~7쪽, 전체 7쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2024.03.30

국문 초록

With the development of global integration, Asia's world status and influence are gradually increasing. Asian civilization is composed of multiple structures such as culture, economy, politics and history. Asian culture is an important indicator of Asian studies, which can reflect the social structure and social life of Asia. Therefore, the study of Asian culture can better help humans understand Asia. As a cultural phenomenon, art records and transmits the development and changes of human society through the carrier of history and culture. As a major branch of art, dance shows cultural deposits through physical movements. This study compares and analyzes the Chinese national ballet ‘Raise the Red Lantern’ and the Korean national ballet ‘Shin Qing’ through literature review and image analysis. The purpose of the study is to investigate the differences and unity of metaphorical expression in different countries in the same cultural circle, so as to think about the development direction of Asian national ballet in the 21st century. The study found that China and South Korea belong to the Asian cultural circle, and are also influenced by Confucianism, and there is a “sameness” between cultures. However, due to the differences in geographical environment, historical background and cognitive style, the artistic creation of the two countries also has a “diversity”. The author proposes that the development of Asian ballet drama in the 21st century needs to make efforts from three directions: “using the foreign for the East”, “paying attention to metaphorical techniques”, and “pursuing new modes of dance drama creation”. It is hoped that this study can provide an ideological basis for the choreographers' dance creation in the 21st century.

영문 초록

随着全球一体化的发展，亚洲的世界地位与影响力正在逐步提高。并且，习近平总书记出席于北京召开的亚洲文明对话中阐述了亚洲文明对世界文明发展的重要性，提出加强不同国家、不同民族、不同文化交流互鉴的中国主张，从而深刻揭示了中华文明的独特价值。亚洲文明是由文化、经济、政治、历史等多重结构构成。而亚洲文化是亚洲研究的一个重要指标，能够反映亚洲的社会结构与社会生活，所以研究亚洲文化能够更好地帮助人类了解亚洲。艺术作为一种文化现象，通过历史与文化的载体，记录与传递着人类社会的发展与变迁。而舞蹈作为艺术的一大门类，通过肢体动作展现文化底蕴。本研究通过文献考察法与影像分析法对中国民族芭蕾舞剧《大红灯笼高高挂》与韩国民族芭蕾舞剧《沈清》进行对比分析，研究的目的是考察同一文化圈中不同国家隐喻性表现的差异性与统一性，从而思考21 世纪亚洲民族芭蕾舞剧的发展方向。研究发现，中国与韩国同属亚洲文化圈，同样化受到‘儒家思想’的影响，文化间存在着‘同一性’；但由于地理环境、历史背景、认知方式的不同，两国的艺术创作也具有着‘多样性’。笔者提出21 世纪亚洲芭蕾舞剧的发展需要从“洋为东用”，“注重隐喻性技法”，“追求舞剧创作新模态”这三个方向进行努力。希望本研究能够为21 世纪编舞家的舞蹈创作提供思想基础。

목차

1 20 世纪亚洲民族芭蕾的发展背景

2 隐喻技法在中韩民族芭蕾舞剧中所运用

3 中韩民族芭蕾中隐喻技法的异同比较

4 21 世纪亚洲芭蕾舞剧发展方向

5 结论

参考文献

키워드

National ballet Metaphor Choreography and creation Shen Qing Raise the Red Lantern 民族芭蕾舞剧 隐喻 舞蹈编创 沈清 大红灯笼高高挂