17-18세기 프랑스 이론서 원전연구

• 영문명: Source Studies of French Treatises in the 17th- and 18th-Centuries: Interpretations of the Rule of the Octave in Figured-bass
• 발행기관: 한국서양음악학회
• 저자명: 이내선
• 간행물 정보: 『서양음악학』제12권 제2호, 89~123쪽, 전체 35쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.05.30

영문 초록

This study explores “the rule of the octave” in the 17th and 18th c. treatises. It is significant to examine common features of general usages and gradual change of rules shown in the treatises, and the true entity of tonal characteristics: first, there is a necessary stage shown in the gradual change from hexachord to heptachord by solmization; second, each degree produces a chord which is a peculiar combination of intervals in all twelve tonalities; third, the root positions are presented only over and including 5th, and incomplete chords having 6th are over other scale degrees; fourth, in the case of 7th chord, the tritone is included in the dominant. It is clear that the harmonic relation is not merely “harmonic connection” but “harmonic progression” which is essential in tonal music.

목차

서론

1. 6음계 에서 7음음계로 발전과정

2. 실습서에 수록된 옥타브 음계의 화성처리

3. 옥타브 규칙의 적용: 전조의 화성진행

결론

참고문헌

키워드

옥타브 규칙 화성진행 6음 음계 7음 음계 딸림7화음 이중사용 화성처리 숫자저음 캄피옹 6도 음정 rule of the octave harmonic progression hexachord heptachord dominant 7th double emploi harmonization Thorough bass François Campion interval the sixth