하이든의 후기 현악4중주 《Op. 64》에서 《Op. 74》까지

• 영문명: Hayn's Late String Quartets, Op.64-Op.74: An Analytical Study of Stylistic Change
• 발행기관: 한국서양음악학회
• 저자명: 김미옥
• 간행물 정보: 『서양음악학』제11권 제3호, 11~38쪽, 전체 28쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2008.09.30

영문 초록

Haydn's late string quartets are studied from two aspects regarding why and how he would develop the new style. One is from the change of convention faced in London(1791-92), that is, playing chamber music in a public hall. And the other is based on my analytic comparison of op.71-no.1, one among the six works of opp.71-74 which were composed to be played during the second London sojourn, to op.64-no.6, which was composed just before the first visit to London. The new style in no.1 is based on the same form and has similar length with the chamber style of no.6, except for the last movement. Nevertheless, this fact should not undermine other values of the new style, since no.1 shows enormous varieties and extensions in smaller sections for the pursuit of drama in quasi-orchestral sonority. And those new characters in no.1 are further traced or deepened in the rest of op.71 & op.74.

목차

Ⅰ. 들어가면서

Ⅱ. 하이든의 시기별 현악4중주곡

Ⅲ. 《Op. 64 No. 6》과 《Op. 71 No. 1》 비교분석

Ⅳ. 《Op. 71의 No. 2-3》과 《Op. 74의 No. 1-3》에서의 양식적 변화 고찰

Ⅴ. 나가면서

참고문헌

키워드

하이든 현악4중주 디베르티멘토 실내악 단일주제 삼중 주법 Haydn String Quartet Divertimento Chamber Music Monothematicism Triple Stops