요한 세바스찬 바흐의 종교성악작품에 나타난 박자기호, 12/8

• 영문명: The Role of the 12/8 Time Signature in J. S. Bach's Sacred Vocal Music
• 발행기관: 한국서양음악학회
• 저자명: 이가영
• 간행물 정보: 『서양음악학』제11권 제2호, 65~92쪽, 전체 28쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2008.05.30

영문 초록

The study addresses the role of the 12/8 time signature found in J. S. Bach's sacred vocal music. To do so, I traced the musico-historical context in which the time signature was defined and used by late seventeenth- and early eighteenth-century theorists and composers. Through my readings of the treatise and musical examples, I point out that the signature was used in conjunction with the Gigue and Chorale melodies, the musical convention that Bach has inherited. However, as my discussion illustrates, the ways in which Bach uses the 12/8 time signature differ greatly from his predecessors and his contemporaries, thereby suggesting that Bach expanded and recreated stylistic conventions.

목차

1. 12/8와 이론적인 관습

2. 12/8와 음악적인 관습

3. 12/8과 가사

참고문헌

키워드

박자기호 지그 코랄 목가곡 리토르넬로 프리다카포 아리아 보논치니 북스테후데 Time Signature Gigue Chorale Pastorale Ritornello Free Dacapo Aria Bononcini Buxtehude