네오리만 이론의 헥사토닉 시스템을 적용한 분석 연구

• 영문명: A Study for Hexatonic System Based on Neo-Riemannian Theory
• 발행기관: 한국서양음악학회
• 저자명: 한재선
• 간행물 정보: 『서양음악학』제11권 제1호, 93~120쪽, 전체 28쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2008.01.30

영문 초록

The present study explores chromatic chord progressions and chromatic modulations in triads in tonal works. It consists of two parts: in the first part the main focus is on the historical background and basic theoretical concepts of neo-Riemannian Transformation Theory. In the second the study is analyzing Chopin’s Ballade, Op. 47 in the viewpoint of harmonic circles on regular patterns of the transformation called Hexatonic System based on neo-Riemannian theory. Chromatic harmonic progressions are frequently appeared in the 19th-century music, but many of them are ambiguous when we analyze them. By using neo-Riemannian theory, the study can present more logical analysis than the conventional one. The logical analysis of the ‘common tone relation’ on neo-Riemannian theory will offer to reveal the relations among chromatic chord progressions.

목차

Ⅰ. 시작하는 글

Ⅱ. 선행연구: 네오리만 이론의 역사적 배경 및 개념

Ⅲ. 분석: 쇼팽, 《발라드》op. 47

Ⅳ. 맺는 글

참고문헌