모형 심장과 동적(動的) 시노그래피(Scenography)

• 영문명: A Model Heart and Dynamic Scenography
• 발행기관: 이상문학회
• 저자명: 박상순(Park, Sang-soon)
• 간행물 정보: 『이상리뷰』15호, 107~140쪽, 전체 34쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2019.12.30

영문 초록

Yi Sang put the composition of the artistic and physical particles created by the poetic language on the stage called “Ogamdo.” This is an independent scene composed of poetic language, like a stage set, rather than a real-life scene. It is also not a reenactment of facts, but another internally fictionalized entity and an event that unfolds on the stage of reconstructing history. The stage of the poem is a visual language, such as “scenography,” which is multi-layers and dynamic. So the painting “Ogamdo” is a kind of Sinography. Yisang dynamically expressed the look of the reversal and the disparate and imitation reality through time; by visualizing a poetic space independent of image, object, and materiality of language by literary conversion of pictorial sense or pictoriality, by securing the presentity of poetic language with poetic subject and narrative prose that crosses reality and work, and by creatively fusing Eastern humanities and Western art expression theory.

목차

1, 프롤로그

2, 오감도, 시 제8호

3. 오감도, 시 제4호

4. 오감도, 시 제9호 총구

5. 명경

6. I WED A TOY BRIDE

7. 오감도, 시 제11호

8. 위독, 절벽

9. 에필로그

키워드

시노그래피 ｢ 오감도 시제1호｣ ｢ 오감도 시제4호｣ ｢ 오감도 시제9호 총구｣ ｢ 명경｣ ｢ I WED A TOY BRIDE｣ ｢ 오감도 시제 11호｣ ｢ 위독｣ ｢ 절벽｣ 회화 서양 미술 Scenography “Ogamdo No.1” “Ogamdo No.4” “Ogamdo No.9 Muzzle of a gun” “Mirror” “I WED A TOY BRIDE” “Ogamdo No.11” “Criticalness” “Cliff” “painting” “western art”