압둘 와합 알바야티(1926~1999)의 가면(Mask) 기법 연구

• 영문명: A Study on the Mask of Abd al-Wahāb al-Bayyāti
• 발행기관: 한국아랍어아랍문학회
• 저자명: 임병필(Lim Byung Pil)
• 간행물 정보: 『아랍어와 아랍문학』10집 2호, 133~163쪽, 전체 31쪽
• 주제분류: 인문학 > 언어학
• 파일형태: PDF
• 발행일자: 2006.12.30

영문 초록

As a leading Arab poet in the free-verse movement with a politically-committed leftist attitude, he was looking for a new way to continue his engagement in the battle against injustice. In 1962 he wrote his prose play Muḥākama fī Nīsābūr based in its historical framework on Harold Lamb's Omar Khayyam: A Life. Although not successful as a play, it opened for al-Bayyati the possibility of a new style in his poetry - the style of speaking through a persona, through a mask. The masks which al-Bayyāti used include historical persons like Umar al-Khayyām, al-Ma'arrī, al-Ḥallāj, and al-Mutanabjī drawn from the Arab-Islamic heritage or like Alexander the Great, Hamlet, Picasso, Hemingway, and Che Guevara drawn from Western history. They also include imaginary persons like Sindbad and the elusive 'Ā'isha, who might be al-Khayyām's beloved or a woman al-Bayyāti knew or created as persona symbolizing his ideals. His main concern for using masks is to present what he calls "the exemplary hero" in the modern age and in all ages, and to portray the feelings of this hero and express the social and cosmic crisis he faces. And not all personalities of the past can be used for his chosen purpose. And even when they are used al-Bayyāti does not necessarily abide by their historical identities in detail but he may exaggerate some characteristics and invent or ignore other things in order to make his point.

목차

Abstract

Ⅰ. 서론

Ⅱ. 가면기법의 선구자들

Ⅲ. 무타납비: 시련을 당하는 현대의 예술가

Ⅳ. 할라즈: 투쟁하는 사람

Ⅴ. 마아르리: 부당한 시대의 증언자

Ⅵ. 결론

참고문헌

키워드

현대 아랍시 탐무즈시인들 압둘와합 알바야티 가면 가면시 우마르 알카이얌 아부알알라 알마아르리 알할라즈 알무타납비 Modern Arabic poetry Tammū zian poets Abd al-Wahā b al-Bayyā ti Mask Mask Poem 'Umar al-Khayyam Abū al-'Alā ' al-Ma'rrī al-Ḥ allā j al-Mutanabbī