儒家思想下河南大调曲子的传承与思考 ——基于文化基因与音乐形态的双重维度

• 영문명: Inheritance and Reflection of Henan Diaoqu in China under the Influence of Confucian Thought : Based on the Dual Dimensions of Cultural Genes and Musical Forms
• 발행기관: 대한중국학회
• 저자명: 王铮(Zheng Wang)
• 간행물 정보: 『중국학(구중국어문론집)』第91輯, 529~550쪽, 전체 22쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2025.06.30

국문 초록

As a folk art that combines earthy simplicity with refined elegance, Henan Diaoqu in China has gradually formed its performance style since the Ming and Qing dynasties, giving rise to multiple sub-genres and enduring through the ages. As one of the most representative traditional opera forms in the Central Plains region, its linked melody structure and widely appealing vocal styles have all been deeply influenced by Confucian thought. However, the development of Diaoqu has gone through multiple periods, and under the impact of modernization, its inheritance and development face multiple challenges. Based on the dual dimensions of cultural genes and musical forms, this paper clarifies the developmental context of Diaoqu and analyzes the manifestation of Confucian thought in its qupai (melody card) structure, libretto texts, and performance practices. It thus puts forward innovative ideas for the contemporary inheritance of Diaoqu, proposing the integration of Confucian “music education” philosophy with modern music education to facilitate its modern transmission, achieve its living inheritance empowered by digital technology, and rediscover its value in cross-cultural dialogue.

영문 초록

中国河南大调曲子作为大俗大雅的民间艺术，自明清以来便逐渐形成其表演形式，并 衍生出多个曲种，历久弥新。作为中原地区最具代表性的传统曲艺形式之一，其联曲体结 构、雅俗共赏的唱腔形式等均受到儒家思想的浸润和熏陶。然而，大调曲子的发展历经多 个时期，并在现代化的冲击下，其传承与发展面临多重困境，本文基于文化基因与音乐形 态的双重维度，厘清大调曲子的发展脉络，并分析大调曲子在曲牌结构、唱词文本与表演

목차

1. 绪论

2. 河南大调曲子的历史演进与儒家思想渗入

3. 音乐形态的儒家伦理表达

4. 当代传承困境与儒家思想的现代转化

5. 结语

参考文献

키워드

중국 허난 다이아오취즈 유가 사상 음악 형태 중국 민속 예술의 전승 Henan diaoqu in china Confucian thought Musical forms Inheritance of chinese folk art 中国河南大调曲子 儒家思想 音乐形态 曲艺传承