희생자로서의 역사 다시 쓰기 - 마가렛 애트우드의 핸드메이드 이야기와 증언들

• 영문명: Rewriting Female History as Victims: Margaret Atwood’s The Handmaid’s Tale and The Testaments
• 발행기관: 조선대학교 국제문화연구원
• 저자명: 주재하(Jaeha Ju)
• 간행물 정보: 『국제문화연구』Vol.18 No.1, 229~251쪽, 전체 23쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2025.06.30

국문 초록

This paper, dealing with Margaret Atwood’s The Handmaid’s Tale and The Testaments, looks into the oppression of Gileadean society and examines women’s active resistance which they confront totalitarianism. This society suppresses women in particular by systematically classifying, segregating and controlling them as well as banning their language activity. Anybody who attempts to escape confronts death. In such an environment in which no woman can have her own will and voice, Offred changes herself from the object to be looked at into the subject who looks. Afterwards, she creates her own story by recording tapes that are discovered two hundred years later. These tapes are the means that enabled the repressed to walk away and survive. Also, set in 15 years after The Handmaid’s Tale, The Testaments shows how Aunt Lydia’s persistent writing, and Agnes and Daisy’s testimonies lead to collapse of the system. These three women create their own histories in the process of raising their voices and forming identities by collaboration.

목차

1. 들어가는 말

2. 페미니즘적 디스토피아와 정형화된 젠더

3. 여성적 글쓰기를 통한 젠더 정형성 탈피

4. 나가는 말

참고문헌

키워드

마가렛 애트우드 젠더 페미니즘적 디스토피아 여성 희생화 스토리텔링 여성적 글쓰기 여성 공동체 Margaret Atwood Gender Feminine Dystopia Victimized Women Storytelling Feminine Writing Female Communit