셰이머스 히니 시에서의 부재 또는 무

• 영문명: Absence or Nothingness in the Poetry of Seamus Heaney
• 발행기관: 한국예이츠학회
• 저자명: 허현숙(Hyun Sook Huh)
• 간행물 정보: 『한국 예이츠 저널』27권, 131~154쪽, 전체 24쪽
• 주제분류: 인문학 > 언어학
• 파일형태: PDF
• 발행일자: 2007.06.30

국문 초록

At the outset of his poetic career Seamus Heaney sought his identity through his own digging into his roots in Irish history and culture. He struggled to come to terms with the violent and coarse surfaces of life and his poetic works represented the identity of the subject in the knowing of objects. But the works in The Haw Lantern and Seeing Things deal with the invisibles or absence with firmer views. A central aim of Heaney's work before these works seems to turn the visible into the invisible. But an absence catches the poet's interests more than the politics in Northern Ireland in his works after the 1980s: his aim is now to make the absent realm or the invisible present and visible by the ordinary expressions. Thus the absence or nothingness expands its meaning beyond itself towards the source of the poet's second thought and the source of the poetic revelation. And some of his works explore the equality of being between the material and the immaterial, between the invisible inner motions and the visible outer world. He gives lights on absences that exist in past or in this phenomenal world. Certain phenomenal objects, if a poet really sees them and apprehends their potentiality, serve as stations to an otherwise inaccessible underworld of nothingness or absent world. By discovering the meaning of absent being one can understand that of the present and replace or resurrect the absent being. It is an act of deterritorialization of his poetic works and towards the freedom as a poet.

키워드

셰이머스 히니 부재 무 사물 객체 인식 Seamus Heaney absence nothingness thing object recognition