Cultural Integration and Innovation in Music Composition - Taking the First Movement of Bao Yuankai's Symphony No. 6 ＜Yanzhao＞ as An Example

• 발행기관: Korea Institute for Humanities and Social Sciences
• 저자명: Huan Cheng Chen Wu Lili Song
• 간행물 정보: 『PROCEEDINGS of the International Conference on Cultural Integration and Artistic Innovation』Vol.1, 231~238쪽, 전체 8쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2024.12.31

국문 초록

In the process of globalization, music creation increasingly reflects the trend of multicultural fusion, and the concept of “new music” is gradually becoming clearer. As one of the most influential composers in China, Mr. Bao Yuankai has demonstrated the unique fusion of “Chinese style” and global culture in his works, which has had a profound impact on the field of music creation. However, there are relatively few studies on the cultural integration of Mr. Bao's Symphony No. 6 “Yanzhao”. Based on this background, this paper aims to take the first movement of the work as an example, and explore Bao Yuankai's artistic concepts and his successful experience by analyzing in depth the “Chinese style” embodied in the work and its interaction with contemporary culture. The study found that Symphony No. 6 “Yanzhao” not only inherits the essence of traditional Chinese music, but also skillfully integrates modern compositional techniques, thus constructing a musical space that is both culturally profound and innovative. In addition, through the dissection of specific musical materials and structural features, it further reveals how Bao Yuankai explores and develops the possibilities of a musical language with Chinese characteristics in the context of globalization.

목차

1 Introduction

2 Bao Yuankai's Symphony No. 6, 1st Movement

3 Cultural Integration of Musical Structures and Thematic Materials

4 The Significance of Cultural Integration and Innovation

5 Conclusion

References

키워드

Bao Yuankai Symphony No. 6 Lament for the Easy Wate Chinese style integration and innovation