2000년대 전반기 풍자코미디영화의 수사적 전략 분석

• 영문명: A Study on the Rhetoric Strategy of Satire Comedy in the early 2000's
• 발행기관: 한국영화학회
• 저자명: 서곡숙
• 간행물 정보: 『영화연구』제27호, 135~158쪽, 전체 24쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2005.12.31

영문 초록

A satire intends to create a laugh even though it is aggressive to others and is a conflict between the real and the ideal. I want to study the rhetoric strategy of satire comedy in the early 2000's that satires various subject materials. There is a protagonist who has a conflict between the real and the ideal inside in him. The satiric personas in the first half of satire comedy criticize both a protagonist who wants to make compromise with realities of life and an anti-protagonist who commits misdeed. In the second half of satire comedy the protagonist aims at utopia by introspection and changing himself. These movies reveal the duplicity of character and theme through irony which is rhetoric strategy. Satirists in these movies criticize the protagonist who makes compromise with realities of life in circumstance which are changing and gives up the ideal not to cope with them actively, after that the protagonist aims at the ideal by changing himself through introspection. The individual located in the society in the early 2000’s in reality on Korea, and these movies show that this consciousness of self precedes introspection.

목차

1. 2000년대 전반기 풍자코미디영화에 대한 세 가지 의문

2. 악인/영웅의 조합: 현실/이상의 갈등

3. 악인에서 영웅으로: 현실 지양과 이상 지향

4. 틈새와 균열: 현실과 이상에 대한 경멸

5. 2000년대 전반기 풍자코미디영화의 실천양상

키워드

comedy satire persona 2000's irony laugh conflict between the real and the ideal