장률 감독 영화에서의 경계, 마이너리티, 그리고 여성

• 영문명: The Border, The Minority and Women in the Films of Zhang Lu
• 발행기관: 한국영화학회
• 저자명: 주진숙 홍소인
• 간행물 정보: 『영화연구』제42호, 597~620쪽, 전체 24쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2009.12.31

영문 초록

The article examines how films of Zhang Lu(, , , ) achieve symbolic status in the global film market. His films narrate stories of ethnical minorities, especially Ethnic Koreans in China. Zhang Lu's films symbolize woman characters as a lowest rank of the minority. The places and cities in his films are over-eroticized, and the power relationship among people is materialized through sexual exploitations. Those films substitute women for images of the lower classes, and sufferings of women become an apparatus to see a social violence. This paper will clarify that his films join many issues on the discourse of the minority. His films do that through narratives emphasizing sacrifices and silences of people who suffer from the social oppression. His films become the signifier of the minority, and they are distributed through several international film festivals. At this time, director's identity as an ethnical minority would be considered to guarantee “authenticity” of this ethnography. Zhang Lu's films acquire symbolic value as discourses of the minority that ethnical minorities speak about their own sufferings. In this context, this article examines that his films achieve symbolic status by means of converting women bodies into cinematic sign through film analyses.

목차

1. 현대중국영화 감독으로서 장률의 입지

2. 중국 5세대, 6세대 영화와 문화 횡단

3. 경계, 경계인에 대해 말하기

4. 소수자의 이름으로

5. 이미지 기호로서의 조선족/중국/남한 여성

6. 결론

키워드

diaspora minor cinema representation of women representation of subaltern transculture transnational cinema films of Zhang Lu contemporary Chinese film