- 영문명
- 1960s korean film, The wish-image of woman: With special reference to Director Lee, Seong Gu
- 발행기관
- 한국영화학회
- 저자명
- 김태은
- 간행물 정보
- 『영화연구』제44호, 65~89쪽, 전체 25쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2010.06.30

국문 초록
영문 초록
The thesis analyse the women of the nuclear family in the 1960s film. In 1960s, Park Jeong Hee's regime had projected the industry mordenity and Park's had projected The literacy film. Many literary film had produced in late 1960s. This paper analyse , , , , , and focus the women in these films. The collective wish-image construct the mythic image. Benjamin argues the wish-image as new nature. The modern society consumes the wish-image which was displayed at the street and the arcade. The women incarnate the modern wish-image. The new reconstuction of the family reflecting the regime's ideology appreared in the 60s films. During 60s, it is noticetable the pre-modern patriarchs negotiated with the new modern desire. coming into conflict with new generations that interalized the modernized values as well as modern middle-class nuclear families were established. the housewife negotiated the crack in the nuclear family. the good doughter masquraded the modern shimcheong. The incarnated women's body reconstruct in 60s gender project. the gender has been made and changed with the time. Rousseau explains the matherhood in his educational philosophy, In 『Emile』, the maternity eliminated her language and had silent voice. the meaning of mother is reduced after 18c. the sutured women's body is masquraded. The place of heimat is allegoryed the othering women. The female body was used as a signifier for the colony chosun male interllectual who tried to replace the Japanese colony regime. The moderniation did try as far as possible to put their concept of strict gender-specific segretation and suture. Since women put in the formation of nation-state and modernization, throughout history whether or not they wanted, active thought interpellating how to womenliness in a reflective way is necessary. especially in korea, where in the women are still suffering from the gender politics.
목차
1. 1960년대 영화, 여성성의 미시적 관찰
2. 근대적 기획으로써의 여성성과 가족로망스
3. 〈宅의 夫人은 어떠십니까, 1966〉, 〈고원, 1969〉: 낭만적 사랑과 각인된 여성성
3. 〈일월, 1967〉, 〈將軍의 수염, 1968〉 : 고백을 통한 여성성의 체현
4. 〈메밀꽃 필 무렵 1967〉, 〈五人의 건달 1966〉 : 근대적 결핍의 공간 : 향토, 어머니, 여성
나오며 : 여성성의 재영토적 관찰
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