에이젠슈테인의 몽타주 개념에 대한 인식론적 고찰

• 영문명: Epistemological Research on Eisenstein's Montage Conception: Evolution of the Affect in Montage
• 발행기관: 한국영화학회
• 저자명: 이정하
• 간행물 정보: 『영화연구』제53호, 223~242쪽, 전체 20쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2012.09.30

영문 초록

Eisenstein dialecticizes a very general aspect of thought form (rational and irrational, conscious and subconscious, logical and pre-logical, reasoned and sensuous, etc) in montage process. Especially he assumed that the highest form of consciousness in the work of art has as correlate the deepest form of subconscious, affective and emotional. Eisenstein continually reminds thus that intellectual cinema has correlate 'sensory thought' or emotional intelligence, and is worthless without it. In fact cinema and thought are encountered together through such a montage process, and are realized the relationship with a whole which can be thought in a higher awareness, the relationship with a thought which can be shaped in the subconscious unfolding of images, and the sensori-motor relationship between world and man, nature and thought.

목차

1. 종합적 사유로서의 에이젠슈테인의 몽타주: 로고스에서 파토스로

2. 어트랙션에서 엑스터시까지

3. 결론

키워드

Eisenstein montage thought form affect pathos attraction montage ecstasy