로컬 시네마의 개념 변천과 아시아 영화에 나타난 로컬리티 사례들

• 영문명: The Change of Concepts of Local Cinema, and Cases of Locality in Asian Films
• 발행기관: 한국영화학회
• 저자명: 김시무
• 간행물 정보: 『영화연구』제56호, 27~72쪽, 전체 46쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2013.06.30

영문 초록

The purpose of this paper is to define the concept of locality shown in the Korean local cinema and the Asian Film. What is the local cinema?Really able to apply the concept of Local Cinema Korean movie? What is the condition of the local cinema? Local / locality appeared to an topic of the domestic academia is not that old. The background has been functioning in the post-modern cultural logic emerged as a major research agenda locality. In addition, with the socio-economic and spatial variations of the global capitalism, the problem of local came to surface in the main topic. Change as a global role in the decline of the nation-state and its function, the global and the local is due to face directly. In this paper, the concept of locality is accessible in three ways. The Substratum of locality, the hierarchy of locality, and the recognition &value of the locality are dealing with. Only American movie called Hollywood Movie, Korean movie the Chungmuro Film, and the Shanghai Film Chinese Movie in the substratum of locality. But, according to the hierarchy of the locality, Hollywood movies is the global cinema, the Chungmuro film is the local cinema. The recognition & value of the locality is necessary, in order to overcome the hierarchical locality concerning work and the pursuit of the post-modern, decentralized locality. For example, a decentralized and postmodern film “Paju”, dealing with the city of fog as well as the border city as a background, is a local cinema. Film “Jiseul” will fit in the definition of Local Cinema, seen in the various aspects. That movie directly addressed the issue such as Jeju 4.3 Insurrection by the filmmakers of Jeju Island. Also film “I came from Busan”, geopolitical characteristics that best implemented in the work fits well with the concept of a local cinema. In the sense that thoroughly based on the daily spatiality, that of “Pomildong Blues” is true local cinema. Emphasis on local how to escape from the domination of global capital. For trans-locality, based on this study must be followed.

목차

1. 서론

2. 본론

3. 결론

키워드

the concept of locality the local cinema the global cinema daily spatiality decentralized locality trans-locality