액자구조와 상호텍스트성의 영화

• 영문명: A Study on the Type 3 in The Types of Cinematic Narratology in Hong Sang-soo's Films
• 발행기관: 한국영화학회
• 저자명: 고현철
• 간행물 정보: 『영화연구』제60호, 5~28쪽, 전체 24쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.06.30

영문 초록

This paper aims to investigate the type 3 in the types of ‘narrationfocalization’that is, ‘intradiegetic narrator-fixed internal focalization(‘intradiegetic narrator-fixed internal internal focalization)’ in Hong Sang-soo’films. The results of the investigate are summarized as the following. First, the paper investigates that Tale of Cinema, Okhee’s Film, In AnotherCountry are related with the type 3 in the types of ‘narration-focalization’that is, ‘intradiegetic narrator-fixed internal internal focalization(‘intradiegeticnarrator-fixed internal internal focalization)’. Second, it investigates that Tale of Cinema reveals a characteristic ofpostmodernism, that is, “a life imitates an art” and “no border between fiction and real”. Third, it investigates that Okhee’s Film reveals a characteristic ofpostmodernism, that is, “intertextuality” and “no border of the texts”. Fourth, the paper argues that In Another Country reveals a characteristicof postmodernism, that is, “parody” and “similitude”. Fifth, it is claimed that the difference of between the three films thatis, Tale of Cinema, Okhee’s Film, In Another Country are suited to thedifference of narrative-structure and time-structure.

목차

1. 유형학과 서술학: 분석 및 해석의 관점

2. <극장전>: 허구와 실재의 경계없음

3. <옥희의 영화>: 텍스트 사이의 경계없음

4. <다른 나라에서>: 자기 패러디와 상사성

5. <극장전>-<옥희의 영화>-<다른 나라에서> 궤적의 의미

키워드

cinematic narratology narration focalization narrative-structure postm odernism intertextuality parody