- 영문명
- A Method of Meeting between Cinema and Literature: Focusing on 《The Russian Novel》
- 발행기관
- 한국영화학회
- 저자명
- 김중철
- 간행물 정보
- 『영화연구』제61호, 93~115쪽, 전체 23쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2014.09.30
국문 초록
영문 초록
This thesis is a study on a method of meeting between cinema andliterature through considering directed and writtenby Shin Youn‐sik. The ultimate purpose of this study is to look at therelationship between novel and cinema. One of the distinguishing aspectsof recent novels is that cinema frequently appears as a motif or anessential material for a novel. This feature proves that novel and cinemahave overturned their roles so that they provide essential motifs to eachother or share equal positions. Now cinema is a new stimulus and anessential nutriment for novel. Similarly, one of the distinctive features ofcontemporary cinemas is that letter media like novels and poemsfrequently appear as a motif or an essential material for the genre. As in, it is an interesting feature that most of contemporarycinemas frequently create a significant number of characters who like aliterature genre, who are related to the literature industry, or who areinterested in novel writing. The selection and choice of a subject matteris the result of the director’s(or the writer’s) careful attention andcognition. Therefore, the multiple uses of literature or novel in a cinemaindicate that directors are interested in literature and they are aware of itsnew significance. The usage of literature as a subject matter or motif ina cinema presents that a motion picture(cinema) and literature are forminga close relationship to each other. Accordingly, the relationship between literature and motion pictures legitimately has effects on each other’sstory telling.
목차
1. 들어가는 말
2. 영화 <러시안 소설>의 개요
3. 영화 <러시안 소설>의 다층성과 문학적 형상
4. 나오는 말
키워드
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